Kerala Performing Arts: Kathakali, Mohiniyattam, Koodiyattam, Thullal, Chavittu Natakam
Comprehensive study notes on Kerala's classical and folk performing arts — Kathakali mudras, Mohiniyattam, Koodiyattam (UNESCO), Thullal, Chavittu Natakam, and other art forms. Kerala PSC Graduate Level.
Comprehensive study notes on Kerala's classical and folk performing arts — Kathakali mudras, Mohiniyattam, Koodiyattam (UNESCO), Thullal, Chavittu Natakam, and other art forms. Kerala PSC Graduate Level.
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Kerala’s performing arts are heavily tested in Kerala PSC exams. Questions cover origins, UNESCO recognition, key features, and associated personalities. Master the tables below for quick recall.
1. Classical Art Forms of Kerala
| Art Form | Type | Origin Period | Key Feature | UNESCO Status |
|---|---|---|---|---|
| Koodiyattam | Sanskrit drama | 2,000+ years old | Oldest surviving form of Sanskrit theatre in the world | UNESCO Intangible Cultural Heritage (2001) — first from India |
| Kathakali | Dance-drama | 17th century | Elaborate costumes, facial makeup (Vesham), hand gestures (Mudras) | — |
| Mohiniyattam | Classical dance | 16th-17th century | Graceful feminine dance; “Dance of the Enchantress” | One of 8 classical dances of India recognised by Sangeet Natak Akademi |
| Chakyar Koothu | Solo performance art | Ancient | Performed by Chakyar community; satirical narration from Puranas | Part of Koodiyattam tradition |
| Nangiarkoothu | Solo female performance | Ancient | Performed by Nangiar (wife of Chakyar); stories from Srimad Bhagavatam | Part of Koodiyattam tradition |
2. Kathakali — Detailed
| Feature | Detail |
|---|---|
| Meaning | Katha (story) + Kali (play/performance) |
| Origin | 17th century Kerala; evolved from Ramanattam (created by Kottarakkara Thampuran) |
| Kottarakkara Thampuran | Credited as the father/founder of Kathakali |
| Ramanattam | Predecessor of Kathakali; based on Ramayana; created as alternative to Krishnanattam |
| Krishnanattam | Created by Manaveda Raja of Zamorin dynasty (Kozhikode); based on Krishna’s life |
| Themes | Primarily from Mahabharata, Ramayana, and Puranas |
| Attakatha | The story/text performed in Kathakali; written in Manipravalam |
| Performance time | Traditionally dusk to dawn (all-night performance) |
| Language of songs | Manipravalam (mix of Malayalam and Sanskrit) |
Kathakali Vesham (Makeup/Characters)
| Vesham | Colour | Character Type | Example |
|---|---|---|---|
| Pacha (Green) | Green face | Noble heroes, gods | Krishna, Rama, Arjuna |
| Kathi (Knife) | Green with red marks on cheeks | Anti-heroes with some nobility | Ravana, Duryodhana |
| Thadi (Beard) — Vella Thadi | White beard | Elevated characters | Hanuman |
| Thadi — Chuvanna Thadi | Red beard | Evil, cruel characters | Dushasana, Bali |
| Thadi — Karutha Thadi | Black beard | Primitive/forest dwellers | Hunters, tribal characters |
| Kari (Black) | Black face | Demonesses | Surpanakha, Simhika |
| Minukku (Polished) | Bright yellowish | Women, sages, Brahmins | Sita, Draupadi, sages |
Kathakali Mudras (Hand Gestures)
| Fact | Detail |
|---|---|
| Total basic hand gestures | 24 mudras (Hastalakshana Deepika text) |
| Combined mudras | 576 combinations possible (24 x 24) |
| Purpose | Express characters, emotions, objects, and actions without spoken dialogue by dancer |
3. Mohiniyattam
| Feature | Detail |
|---|---|
| Meaning | Dance of Mohini (enchantress) |
| Style | Lasya (graceful, feminine) — as opposed to Tandava (vigorous) |
| Costume | White and gold Kerala saree (kasavu mundu), hair in side bun with jasmine |
| Movements | Swaying body movements resembling swaying of palms and paddy fields |
| Music | Sopana Sangeetham (temple music tradition of Kerala) |
| Language of songs | Manipravalam |
| Revived by | Vallathol Narayana Menon (founder of Kerala Kalamandalam, 1930) |
| Classical dance recognition | One of 8 classical dances recognised by Sangeet Natak Akademi |
| Mentioned by | Mazhamangalam Narayanan Nambudiri (Vyavaharamala, 16th century) — earliest reference |
4. Koodiyattam
| Feature | Detail |
|---|---|
| Meaning | ”Combined acting” (Koodi = combined, Attam = acting) |
| Language | Sanskrit (performed in Kerala temples) |
| UNESCO | Proclaimed “Masterpiece of Oral and Intangible Heritage of Humanity” in 2001 — first Indian art form |
| Performers | Chakyar (male actors) and Nangiar (female actors) communities |
| Instrument | Mizhavu (large copper drum) — played by Nambiar community |
| Venue | Koothambalam (special theatre inside temples) |
| Texts performed | Sanskrit plays of Bhasa, Kalidasa, Harsha, Kulasekhara Varman |
| Duration | A single act can take many days to perform |
| Key exponent | Mani Madhava Chakyar (revived and popularised Koodiyattam; took it outside temples) |
5. Thullal
| Feature | Detail |
|---|---|
| Created by | Kunchan Nambiar (18th century) |
| Origin | Created as a popular alternative to elitist Chakyar Koothu |
| Language | Malayalam (accessible to common people) |
| Style | Solo performance with song, dance, and humour |
| Three types | Ottan Thullal, Seethankan Thullal, Parayan Thullal |
Three Types of Thullal
| Type | Tempo | Costume | Popularity |
|---|---|---|---|
| Ottan Thullal | Fast, lively | Green makeup and costume | Most popular of the three |
| Seethankan Thullal | Medium | Elaborate makeup similar to Kathakali | Less common |
| Parayan Thullal | Slow | Simple costume | Least common |
6. Chavittu Natakam
| Feature | Detail |
|---|---|
| Meaning | ”Stamping drama” (Chavittu = stamping, Natakam = drama) |
| Origin | 16th century; Latin Christian community of Cochin (influenced by Portuguese missionaries) |
| Themes | Biblical stories and European legends (Charlemagne, St. George) |
| Style | Colourful costumes, elaborate stage, vigorous stamping, sung dialogue |
| Region | Primarily Cochin (Kochi), Alappuzha, Kollam |
| Unique feature | Blend of European theatrical tradition with Kerala folk elements |
| Famous play | Karalman Charitham (Story of Charlemagne) |
7. Other Important Kerala Art Forms
| Art Form | Type | Key Feature |
|---|---|---|
| Theyyam | Ritual dance | North Kerala (Kannur, Kasaragod); performer becomes the deity; 400+ varieties |
| Padayani | Ritual art | Central Travancore; Kolam (masks) and Thappumelam (percussion) |
| Oppana | Folk dance | Muslim community; bridal celebration dance |
| Thiruvathira | Folk dance | Women’s group dance performed during Thiruvathira festival (Dhanu month) |
| Margam Kali | Folk dance | Syrian Christian community; performed during weddings |
| Kolkali | Folk dance | Rhythmic dance with sticks |
| Pulikali | Folk art | Tiger dance during Onam in Thrissur |
| Velakali | Martial art form | Mock combat performance at Ambalapuzha temple |
8. Kerala Kalamandalam
| Fact | Detail |
|---|---|
| Founded | 1930 |
| Founder | Vallathol Narayana Menon (poet, one of Triumvirate of Malayalam poetry) |
| Location | Cheruthuruthy, Thrissur district |
| Purpose | Revive and promote traditional Kerala art forms |
| Deemed University | Granted deemed university status in 2006 |
| Teaches | Kathakali, Mohiniyattam, Koodiyattam, Thullal, Panchavadyam, etc. |
9. PSC Quick Revision — One-Liners
- Koodiyattam: first Indian art form on UNESCO Intangible Cultural Heritage list (2001)
- Kathakali evolved from Ramanattam, created by Kottarakkara Thampuran
- Krishnanattam was created by Manaveda Raja of Zamorin dynasty
- Kathakali has 24 basic mudras with 576 combinations
- Pacha Vesham (green) = noble heroes in Kathakali
- Mohiniyattam revived by Vallathol Narayana Menon (Kerala Kalamandalam)
- Kunchan Nambiar created Thullal (3 types: Ottan, Seethankan, Parayan)
- Chavittu Natakam originated in Latin Christian community of Cochin
- Theyyam is performed in North Kerala (Kannur, Kasaragod)
- Kerala Kalamandalam founded in 1930 at Cheruthuruthy
- Mizhavu is the drum used in Koodiyattam, played by Nambiar community
- Mani Madhava Chakyar revived Koodiyattam
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