Q1.From approximately which century did various Rajput families rule most of the present-day state of Rajasthan?

Q2.Which of the following rulers is mentioned as an example of a Rajput ruler in the text?

Q3.Which significant movement played a role in Kathak evolving into a distinct mode of dance?

Q4.Under whose patronage did Kathak acquire its present features and develop into a distinctive style of dance in the court?

Q5.Who was the last Nawab of Awadh under whose patronage Kathak grew into a major art form?

Q6.By the third quarter of the nineteenth century, Kathak was firmly entrenched in Rajasthan, Lucknow, and which other present-day adjoining regions?

Q7.How was Kathak generally perceived by most British administrators during the nineteenth and twentieth centuries?

Q8.Despite being viewed with disfavour by British administrators, Kathak continued to be performed primarily by which group?

Q9.According to the provided text, what was the defining characteristic of the Basohli style of miniature painting that had developed in a certain region by the 86th century?

Q10.Which event in 1739 prompted Mughal artists to migrate to the hills, eventually leading to the establishment of the Kangra school of painting?